THE BASIC PRINCIPLES OF CHARLIE CHAPLIN'S "THE CIRCUS" (1928)

They are frequently yearning romantics, with this difference: Buster would seem a plausible mate, as well as the Tramp hardly seems to have a libido, only idealized notions. If their comedies had been built in a far more liberated time, it is achievable to assume Keaton in bed with a girl, but disquieting to think of the Tramp for a sexual getting.